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Either/Or : Part 1 Kierkegaard's Writings Edna H. Hong, Howard V. Hong, Soren Kierkegaard
Publisher: Princeton University Press

Also 54 Is there not a secretive anxiety and horror in it, because its beautiful harmony works its way out of lawlessness and wild confusion, its security out of perfidy? I found this site on accident by looking up harold and maude…it was really cool to see kierkegaard and camus applied to relavent movies…keep up the good work…but i don't believe in god…life is despair. You are exactly right, Michael. This section might prove useful for other thinkers, but in Kierkegaard's particular case I think it might be better to actually provide a brief discussion of his major pseudonyms. Compare, regarding actualizing the eternal in the temporal (Bergman), the reference on 37 to 'an idea that joined the finite and the infinite'. His writings comprise the first portion of Either/Or, often categorized as the “aesthetic” portion, as A is an aesthete and represents the aesthetic stage of existence. Yet Kierkegaard's aim was never to be purely abstract, and that's a big part of why I came to love his writings. A good friend, who went to the trouble of writing a doctoral dissertation on Kierkegaard, once remarked to me that he thought that, rather than calling him a philosopher, we ought to call him an evangelical psychologist. The first work in the "Either" part is entitled Diapsalmata, which I have transliterated from Kierkegaard's Greek title. Literary Involvement: Writer of many articles in Either/Or, possible editor or author of Diary of a Seducer, an article in Either/Or. 11/3/12, 12:37 PM · Nichevo said It must be me. The Foreward explains that because the book is a series of ten years ago when Kierkegaard's books came into my life. Here are some of my reading notes on the first part of Kierkegaard's Either/Or. I was rather sloppy in what I wrote above, and I wrongly described Either/Or (Part II) and Fear and Trembling as aesthetic works. Besten Kierkegaard's Writings, III, Part I: Either/Or. I may not have learned much in my classes, but those study hall times spent reading Either/Or, Purity of Heart Is to Will One Thing, The Sickness Unto Death and others were very educational, and the lessons I learned have stayed with me. 'that eternity which lies not outside time but in the midst of it' [51. The raw source material for this plotline is found in Kierkegaard's books “Either/Or,” “Fear and Trembling,” and “Repetition,” in which he takes on the persona of various first-person narrators, and describes their experiences. Søren Kierkegaard, Either/Or, Part I.